Engraving dated 1557 by Pieter van der
Heyden after a drawing by Pieter Bruegel the Elder. Latin text at the bottom
reads ‘Big Fish eat Little Fish’ and ‘the rich oppress you with their power’
I stumbled across this when I started
looking into medieval engravings and woodcuts. Engravings and woodcuts often illustrated
political commentary, for example statements of dissent toward the church, and
were distributed widely to communicate messages to a largely illiterate
audience.
The ‘Big Fish Eat Little Fish’ engraving is
after a drawing by Breugel, which illustrates an ancient proverb and known
saying: ‘the rich get richer while the poor get poorer’. The drawing alludes to greed, a gruesome
image of the big fish being sliced open to reveal that it has gorged itself on
the other smaller fishes. The fishes pouring from its mouth and insides,
themselves also eating smaller fishes. Emperors and kings live at the expense of
their subjects, merchants abuse their positions of wealth and power to oppress
the weak. One interesting detail about
this drawing is that there is a symbol of the imperial orb on the sword, referring
to the monarchy or state.
The fact that the big fish lies beached and
gutted illustrates the moral of the story, that the accumulated wealth at the
expense of others is now useless and that greed does not pay.
Greed, the increasing wealth divide, and
the negative impact of capitalism have been themes central to my artistic
practice for the last year or so, and greed will be the focus of mine and Twinkle Troughton's forthcoming duo exhibition at Galerie Michaela Stock in Vienna, titled 'Affluence and Avarice'.
Research naturally led me to 16th century Flemish painter Pieter
Breugel whose subversive images contain strong messages of social protest. A painting I made last year ‘But why does the
Wealth Divide just keep getting bigger?’ uses Breugel’s ‘The Triumph of Death’
as a starting point.
What fascinated me about ‘Big Fish Eat
Little Fish’ is the resonance it has today.
Increasingly the concentration of wealth is ending up in the pockets of
the fewest, in effect reducing the spending power of the majority and having
negative implications for our economy in general. Bankers bonuses and high executive pay
packets have been a discussion point in the media for months, interestingly in
Switzerland recently voters overwhelmingly backed proposals to curb executive
pay. (link)
With current welfare reforms and cuts
to public services it seems that the people in power are contributing to the
increasing wealth divide and helping to tip the balance in favour of the people with
the most. For example the government
expenditure on targeting and demonizing the ‘Benefit thief’ is far greater than
the allocation of funds to target corporate tax evasion. Yet, the money the government loses from benefit
fraud is a miniscule fraction of the amount lost to tax evasion. So basically they are looking after the rich
and targeting the poor. (interesting article on this here)
I decided to use the 16th
century engraving as a starting point for a series of paintings about this issue.
Admittedly I’m naturally quite neurotic
about how I approach my painting!
Usually questioning everything and wanting there to be a reason for
every decision I make… After thinking on
it for a while I decided to step back from all of those thought processes, and decided
simply to revive the original and create my interpretation of the image in
paint. See below some iphone snapshots of as yet untitled studies so far.
It is my intention to use paint in an
intuitive and experimental way, trying out different techniques and brush marks,
to make the physical process of my art making as much an explorative endeavor as
the rational thinking behind my work.
When I first came across Gerhardt Richters’
Baader Meinhof series years ago I was in awe of their intensity and powerful
political presence. Simply by
translating those images into paint, he creates a new perspective on the
subject and different arena for reflection.
I hope that my ‘Big Fish Eat Little Fish’ paintings might attempt to simply revive an
ancient engraving and proverb to comment on a contemporary issue.
'Hanged' by Gerhardt Richter, 1988
'Dead' by Gerhardt Richter, 1988
'Man shot Down' by Gerhardt Richter, 1988
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